ARTISTS
Simon Patterson
Simon Patterson is one of the most consistently inventive of the generation of London-based artists who came to international prominence in the 1990’s. A complex manipulation of systems of classification, documentation, description and understanding, his work urges us to reconsider how and why we think we know what we know.
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Ana Milenkovic
Ana Milenkovic (b. 1988, Belgrade, Serbia) graduated from Wimbledon College of Art, University of the Arts London, and Faculty of Fine Art, University of Arts Belgrade, Serbia. She was winner of The Griffin Art Prize 2016, winner of UAL/Clifford Chance Sculpture Award 2015, and Award for Creative Innovation from the Miloš Bajic Fund.
Bruce mclean
Bruce McLean is a Scottish sculptor, performance artist, filmmaker and painter. He studied at the Glasgow School of Art from 1961 to 1963, and from 1963 to 1966 at St. Martin's School of Art, London, where he and others rebelled against what appeared to be the formalist academicism of his teachers, including Anthony Caro and Phillip King.
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Steph Goodger
Steph Goodger lives in Bordeaux, France. She was a prize winner in the John Moores Painting Prize 2020, having previously exhibited in John Moores Painting Prize in 2016 and 2004. She was selected for the Brewers Towner International, in 2022, an exhibition and prize at Towner eastbourne. In 2023, she had a solo exhibition, Lusitania, with De Queeste Art, Belgium, and showed, Carried on the Wind, at Cornerstone Gallery, Liverpool Hope University.
Michael Hall
School Director
Michael Hall is an artist, writer and curator. He launched School Gallery in 2018 and co-founded Invisible Print Studio in 2013.
He has curated a variety of exhibitions and projects since graduating from The Royal College of Art in 2009.
Sukhy Hullait
Sukhy Hullait (b. 1972) is a London-based photographic storyteller known for his long-form work on marginalised individuals and social issues. His diverse portfolio demonstrates a deep appreciation for the art of image-making.
Daniel Rapley
Daniel Rapley is a visual artist living and working in Nottinghamshire, UK.
His practice broadly examines structures of authorship and to what extent our perceptions of authenticity, originality and value could be haunted by the vestiges of animistic thought.
John Bartlett
John Bartlett studied at the Royal Academy Schools from 1991-4. Bartlett’s painting practice is eclectic. He creates large scale works highlighting historical happenings; notably the Poll tax riots or a memory of a past dwelling or moment. Other works are more cinematic, depicting masked figures in an apocalyptic environment, often fleeing from something in the distance, normally unseen but recognisably referencing the genre of sci-fi or horror.
Julian Rowe
Julian Rowe’s work has developed from a sculptural exploration of repetition and randomness, into a multidisciplinary engagement with weighty, and even epic, narrative themes drawn from history and literature. Such ambition is unsustainable without a pinch of irony, and his work is underpinned with hints of sardonic humour.
Catherine Haines
Catherine Haines was born in Cornwall in 1979. At 18 she studied for one year at Falmouth School of Art, from there she went onto study fashion at Central St Martins in London. She cut her teeth in the fashion industry working for designers: Copperwheat Blundell, Magnus Magnussen, and Myoung-Hee Zo in London, Milan, Copenhagen and Seoul.
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Tony Plant
Tony Plant is a painter working with found objects and creates large scale drawings in the landscape - most regularly the beaches of Cornwall where the artist resides.
Isabelle Hayman
Isabelle Hayman is a French artist based in London. She trained as a textile designer at the ESAADuperre Paris, and completed a Master of Fine Arts from Paris I. She has extensive experience in the textile and home ware industries and spent time living in Java. Childhood connections to Africa and a love of travel deeply inform her work.
Fleur Patrick
Fleur Patrick is a contemporary painter who works with and adapts found images, sourced from a wide range of mediated origins. She selects imagery which is non-specific, and yet strangely familiar to her, becoming catalysts for the uncanny. This draws on and reflects her own experiences of displacement and alienation.